- opera singer that likes to mix things up with jazz and all different genres! lucky to work with amazing ballet dancers and all art forms
You can find our music on iTunes :🎤 https://itunes.apple.com/us/artist/natalie-bancroft/1278433735 Spotify:🎧 https://open.spotify.com/artist/1j89SDTGy5vTanV3JZuPsI And all our music videos on YouTube:🎥 https://www.youtube.com/c/NatalieB
Wow. So well done! The song is very cool, the production is great, and the video is a prime example of how you can make a spectacle off of what I assume wasn't a major label budget. Excellent job!
Hi Natalie - sorry for the late response on this one - it's been busy! First, really amazing video! Wow - it's like a movie. For myself and my network - I really only work in English language - so it's hard for me to comment as far as how I could see it working in my network of channels or publishing or label. It's a captivating video. I would suggest to see if you can market this to ballerina fans and even set up youtube video ads based on that and see if there are also facebook groups and what not who might be able to help promote it. Really great piece all around!
What a production Natalie! This is a huge accomplishment on so many fronts. Your vocals sound smoother and more natural than I've ever heard them, and blend into the instrumentation perfectly. The dancing is captivating, though I won't pretend to have any expertise in that area! I haven't heard the original, but I can't imagine it being better than this. I'd of course be happy to share it! I'm never sure how much it helps, but I can guarantee that at the very least, a lot of people will click over to your profile. Hope you're doing well! Brian.
This is lovely. A beautiful film, too. Well done. The art aspect of this work is undeniable. The question is: Where will it live? Two points: (1) The language barrier; and (2) The nature of the music of itself and where it fits within today's mainstream ecosystem. It may find love with progressive classical stations or perhaps on public radio, but beyond that... It's all very cinematic and mature, which makes it difficult to slot. You'll have to find a musical or audio-visual niche for the song and the video. For example, is this something that might best be pitched to composers of film scores or music supervisors? Maybe. Is this a short film that might find a spot opening for film festival movies? Recruitment for dance schools? Whatever you do, keep writing and composing. Build that portfolio. Keep releasing material. Pay attention to any comments you receive. Build on your experiences. I'll share this why my social networks. Stand by.
Beautifully shott music video that looks super pro. Takes awhile to get going and for the song to start but I enjoyed it once it did. Lots of talent on display here. In terms of promotional advice, I would start by suggesting that you include a description of the song and bio about the artist along with links to hear more music online and your social media in your Fluence submission. This is your elevator pitch in front of the right people so you want to make it as easy as possible for listeners to get the full picture of who you are and what you're about along with an easy way to find more of your music if they're interested. If you're not already, be sure to use all of the available and FREE artist tools across the DSPs like Spotify for Artists, Apple Music for Artists, Amazon Music for Artists and Bandcamp's artist platform as these will provide great insight into your fanbase, how your music is performing and allow you to optimize your profiles and pitch for inclusion on playlists in certain instances. Also, I can't stress enough how imporant Bandcamp is for indie artists so make sure you build a presence there and put your music on there. I would suggest setting it up as a pay-what-you-want download to try to build some fans from the get-go. If you're looking for more promotion and building a fanbase you should consider hiring a publicist or a specialized music marketing firm that you feel you can trust and is a fan of your music to help with the release of your next single and/or album to help you get visibility on blogs, playlisting, print media, etc. If you're not already on a label, consider trying to get signed to one as they can help you with the promo and playlist pitching. Lastly, make sure you have a strong social media presence and that you're on all the right platforms (instagram, tik tok, twitter, Triller, etc) with a unique aesthetic as this will help you draw in listeners and hopefully stand out amongst a sea of performers. Having strong visual content and music videos can def help get your music out there more than just releasing it without any promotional effort. Lastly I said it above but can't stress enough how important it is to build your own fanbase on social media and really push your own personality across your channels and have it look and feel as pro as possible. Artists have more power than ever these days so take advantage of all the tools available! Best of luck!
On "Haus am See" by Natalie Bancroft, listeners are treated to three-and-a-half minutes of German lo-fi pop. Relying on little more than a few intersecting synth melodies and a very simple beat, it keeps the focus sharp on Bancroft's brooding lead vocal. Even if you don't understand a word of German, there is a sultry quality to her voice that resonates across linguistic barriers. The overall vibe of the song is very chill and contemplative. "Haus am See" is a slow-burning song to be sure, a gradually building crescendo rather than a burst of energy. As such, the end result is much more gratifying if you stick it out to the end of the song.
Great song! Mein Deutsch ist nicht gut, so I can't comment too much on the lyrical delivery here. Though, I will say, a really good cover. Great production and performance overall. I normally would have some very specific notes on how to try to really bring the best out of the song, but I have little to add to this. It's pretty solid throughout without much need for modification. The only note I think I can come up with here is that the song might be just a smidge too long. Without some kind of powerful emotional payoff to the ending, it feels like maybe it would be good to have it end just a little bit earlier than it does. Other than though, great all the way through. Thanks very much for the submission!
I can't understand the lyrics, but I still enjoyed the tune. It had a special, likable ethereal quality to it, and while I think it could have gone just a bit further, it's well done and interesting and certainly pleasant to listen to.
I listened to the original first, and I like yours better! How many languages do you speak? I'll get it out of the way — too loud. Both the overall track and the vocal level over the backing track. There's just no reason to pursue this volume level, because both YouTube and Spotify are just going to turn it down. Visit loudnesspenalty.com if you don't know what I'm talking about. By the end, the vocal level works. It would've been better to start quiet and build to this point though. It would make for a more satisfying build, instead of the sense that the entire track is gradually getting quieter due to the compression and limiting in mastering. I found the original a little boring, but this arrangement manages to stay interesting enough to hold my attention, again despite the language barrier. Happy to share this too! I'll schedule it to give the first one some time to breathe. Hope you're staying safe and healthy Natalie! Brian.
With my German confined to "shadenfreunde" Kraftwerk" and "kummerspeck," I have no idea what you're singing about, but that doesn't matter. This is extremely pretty in any language. This certainly belongs on any chillout playlist. You might also find some friends on US satellite radio, so I'd recommend getting in touch with them. And what about 6 Music on the BBC? They're open to some foreign language material. I'll send this out on my social networks. That will be good for at least 100,000 people.
I like this track and all the different styles and languages you can perform in. Maybe you should focus on telling the story of all these styles and languages that you are versed in and how it relates to your art. SImilar to what I said in the last entry, but for starters, I would suggest by including a brief bio about your project along with a short description of the track (why you covered it and it how it relates to you as an artist) and links to your socials (if you have them) and places to hear more music as this is your elevator pitch in front of the right people so you want to provide as much info as possible in a clear and concise manner and make it easy for anyone to hear more if they'd like. I would also suggest putting all of your music on bandcamp, perhaps as pay what you want to build a fanbase as that is the #1 site for indie music fans to discover and purchase music. You should also consider making a music video for any focus singles (this one could have emotional imagery of you and your son and help inspire during these difficult times) and hiring a publicist to promote any upcoming release to get some attention in the media. Also be sure to use all of the available and FREE artist tools across the DSPs like Spotify for Artists, Apple Music for Artists, Amazon Music for Artists and Bandcamp's artist platform as these will provide great insight into your fanbase, how your music is performing and allow you to optimize your profiles and pitch for inclusion on playlists in certain instances. Best of luck!
I liked this, but I wasn't really in love. I think it needed to go somewhere else. I felt myself tuning out as it was a bit too slow for my taste and maybe didn't expand enough into a fully-formed complete idea.
Hey Natalie - really liked this from the start - the whole mysterious setting and great arrangement, vocal and song is all really strong - and the video too. I'm just thinking how I can help out with this one but it just misses the zone for me as far as what I would post at We Are: The Guard or on the signing front. I would say for me it's just a little bit on the theatrical side (not that that's a bad thing at all). In other words - I wanted to say that I really appreciate this as a full piece - I just am not sure how I can help on beyond that. But great work. Maybe you want to try some YouTube advertising using AdSense and target fans of Enya, Sarah Brightman, etc? Feel you could get a lot of mileage there with that and direct people to your Spotify artist profile Just an idea. If you set it up right you can really target very specifically by country, age, keywords (who people are listening to already) and you should be able to get that down to .01-.02 cents per view.
Natalie! Lovely song and video. I love how it eventually resolves to major, but only for a few seconds and we're back to the minor and mysterious. Must have been a fun video to make! The dancing is wonderful, not that I'm in expert in these matters. Cool that you "got your feet wet" too so to speak! 😂 The ending section is really powerful, epic and yet enigmatic. I think this is my favorite thing I've heard from you. Great work! I'm happy to share of course. Happy holidays and all that good stuff! Brian
Another beautiful track. Well done. This screams movie placement to me. What have you done in regards to getting your material to music supervisors? Another question: What's going on with yours social media strategies? Are you implementing things that are spreading the word on what you do? Finally, where else are you finding traction? If I know that, I can offer some recommensations.
Production values awesome on this strong, dramatic track. Loud, clear and so well done. Video makes me want to dance (be a ballerina). The track doesn't resonate with us as much as we'd want it to, but we're personally not a fan of big dramatic instrumental backgrounds, except in musicals. To that end, the track sounds like it belongs in a theatrical production a la Phantom of the Opera or The Greatest Showman! It is not in the current U.S. pop soundstyle, and would be tough to place marketing-wise because of that. It ends incredibly abruptly so we're thinking you've only sent a partial track, so that makes it tough to give full feedback. Very well done, and beautiful. I got on Spotify and if I've got the right profile (had to guess), I really enjoy your other tracks there, and will include Gracias a la Vida on a playlist or show sometime soon. Thanks for your submission, and good luck with your music!
Beautifully shot music video with a lovely song to accompany it. For starters, I would suggest including the artist name in the title of the music video and include a link to your socials, website and streaming services to hear more music in the description of the video plus your Fluence description. I would also suggest including a short bio and lyrics with your Fluence description as this is your elevator pitch and your chance to be heard by industry people so you should give them as much important info in a concise manner as possible. If you're trying to get more visiblity around an upcoming video, single, album, etc. consider hiring a publicist who can help with a campaign and get it in front of press, etc. Once a video or song is out it's harder to build that momentum unless you're creating content that has the potential to go viral. A publicist is definitely a worthy investment especially if you have the budget for good looking music videos and you could also consider hiring marketing firm that could help manage / promote your next project. Also, playing live as much as possible to the right audience is definitely crucial to build a real fan base. Best of luck!
"A Modo Tuo" by Natalie Bancroft finds the soulful singer returning with a delicate four-and-a-half minute piano ballad. All language barriers aside, there is a deeply emotional quality to the vocal delivery that transcends all language barriers. The emotion is real, and that's what translates on the song. The instrumentation is varied enough to keep things interesting for the listener: guitars take the place of keys in the song's second half, sweeping strings dominate the song's third quarter. There is a very orchestral quality to the arrangement, but it doesn't feel overproduced or too lofty. Somehow the song retains all the endearing qualities of its simple, unassuming beginnings. Through all the instrumental changes, Bancroft's voice remains the sole guiding light carrying the listener along on this musical journey, the only constant in a song with a lot of moving parts involved.
Lovely! Of course I have no idea what you're singing, but the gentle rising lines have a certain optimism in them that we could all use right around now. Oh, I know "tutti" 😂 This has got to be a tough time #1 to be pregnant, if the image is current, and #2 to be a performer. At least #1 isn't interfering like #2 as it normally might. As usual, I feel like the mastering is a little too aggressive for the semiclassical style, but it gets the job done. Happy to share this! Moving on to your other submission... Brian.
Really pretty song done by a singer with clear talent and passion. For starters, I would suggest by including a brief bio about your project along with a short description of the track (why you covered it and it how it relates to you as an artist) and links to your socials (if you have them) and places to hear more music as this is your elevator pitch in front of the right people so you want to provide as much info as possible in a clear and concise manner and make it easy for anyone to hear more if they'd like. I would also suggest putting all of your music on bandcamp, perhaps as pay what you want to build a fanbase as that is the #1 site for indie music fans to discover and purchase music. You should also consider making a music video for any focus singles (this one could have emotional imagery of you and your son and help inspire during these difficult times) and hiring a publicist to promote any upcoming release to get some attention in the media. Also be sure to use all of the available and FREE artist tools across the DSPs like Spotify for Artists, Apple Music for Artists, Amazon Music for Artists and Bandcamp's artist platform as these will provide great insight into your fanbase, how your music is performing and allow you to optimize your profiles and pitch for inclusion on playlists in certain instances. Best of luck!
First and foremost thank you for reaching out and submitting. Starting out Natalie's voice hit me instantly like thunder before a storm. She has a silky and haunting tone which evokes a sense of mystery and darkness. There are some wonderful harmonies throughout the piece that rumble the soul. The track really pushes forward like a Broadway show musically and emotionally. I hear classical mixed with what I would say is progressive melodies and cinematic production. I like the big drums and industrial aspects within the backing music. There are so many great elements mixed in to make this record. I had to listen to it twice. I have nothing, but praise for the piece. Please message me...
Hi Natalie...thanks for the submission. Really beautiful piece and great voice. Sadly, I just don't have a place for it as far as what my daily activities are...i'm really looking for indie pop, pop, r&b, hip hop, electronic etc. But I did enjoy the song...I'm sure you'll have some good success with it. It's not also not my expertise in the genre and I'm not sure i have much comments to offer other than it sounds great!
Beautiful rendition with great production that really puts the vocal talent on display. I think a visual piece would go well with this song to showcase the grandeur of the track. I would suggest hiring a publicist to get some local and national attention around your new single / album releases and to take advantage of your consistent output. Consider hiring a manager too who is connected who can help you get new opportunities with live shows, licensing deals, branded content, etc. best of luck!
I always have to turn down my speakers for your tracks! As I've mentioned before, the mastering feels way too aggressive for the genre. But now I'm just nagging... 😜 You've got quite a range! And you can roll your r's nicely 💪🏻. Love the way the arrangement builds, and all those vocal touches are spectacular. I'm a little confused though — you say all the vocals are yours, but then it says "live performance"? Clearly this isn't live. Wow, you took it up yet another notch at the end. It sounds positively huge! Happy to share of course. I hope this is the one that catches on! 🤞🏻 Brian.
Hey Natalie...I really like the vibes here...classy all around, the song, voice, production and video. The only thing is that I just don't really work in this lane as far as jazz vocal standards. I would think though there must be some great pockets for this in Spotify and such. Really not sure I have much advice to offer. I saw that the video only had 98 views and i think you should be doing way better. Have you ever looked into Google Adwords for Video. I use it all the time to make sure people who I think would like a certain release are able to check it out via a pre roll YouTube ad. More on that here...great results for the money spent in my opinion. https://www.google.com/landing/awv/?sourceid=awo&subid=us-en-ha-v_ads_hasearch Hope ethat's helpful.
Great choice for a cover. Natalie's vocals are more than strong enough for this song. The usual great production and captivating video make this track another winner. Can't wait for Natalie's big breakout! Thanks for sharing and I'm going to include this in my "Cover Me Cool" playlist. https://open.spotify.com/user/playlistgiants/playlist/323eTj0Ftsp8767eUgZyNL?si=K5mjr6WfShaD3DJY8xVqAw
Another good one. Love the noir-ish video, too. Any luck with sync placements? Like I've said in the past, this material is perfect for many different uses. Check out a company called Music Gateway. They seem like good guys and have a worldwide reach. Try this site, too: https://www.dittomusic.com/blog/how-to-submit-music-for-tv-and-film I'll share this one, too.
Great song and the video perfectly captures the vibe of the track. I would suggest delivering your videos to Apple Music since you have a profile there for extra visibility. Consider using Vevo as well for a platform and boosting your videos on Facebook, instagram and twitter as a promotional tool. Target similar artists and you should see your fanbase grow a bit. Also consider hiring a publicist for your next video release to get a media partner or partners to support it. Best of luck!
Love the story intro! Really sets the tone. The piano sounds warm and the sax sultry. And your voice sounds wonderful, as usual! The horns and guitar really fill out the arrangement nicely. Talk about a quality cover! You've made it your own. Sooner or later, one of these videos has to tickle YouTube's algorithm the right way. Maybe this will be the one that gets the attention it deserves! I'm of course happy to share it. I'll queue it up for tomorrow! Brian.
Artful and a pleasure to watch and listen to. Send a high quality mp3 to firstname.lastname@example.org with 'Fluence Request - Artist Name - Track TItle' in the subject line and I'll add to playlists and shows. I've added to my Aspenbeat 'Jazz From Aspen' Spotify playlist to start (it only has a few followers though). Love the vocals and interpretation of this track. Right on all the way! Thanks for your submission, good luck with your music!
Nice work, this. Frankly, I'm not much of a fan of Bastille--too over-produced for my tastes--but you've turned this into something quite lovely. I know we've gone back and forth before, so I won't repeat anything I've said before other than to reinforce how your music might be perfect for certain types of licensing situations. Music supervisors are always looking for interesting covers for projects. Again, I'll share this on my social networks.
Beautiful rendition of a great song. I really dig the artwork as well. This general sound really complements your voice and I think it's the right direction for your talents. Consider hiring a publicist to help you with your next single and perhaps making a music video for this track. I would also suggest including a short bio and more detailed description of the song (why you chose this song, any special instrumentation, etc.) and links to hear more of your music with your Fluence description. You should always make sure any pitches have as much info as possible in case people want to hear more. Best of luck!
Hi Natalie! I can't think Oblivion without thinking Elder Scrolls. You probably have no idea what I'm talking about. Clearly I haven't heard the original. Lovely strings. Vocal seems quite loud. Something odd happening pitch-wise at 0:40. Ooh I really like the way this builds, and the blue notes in the melody, which you execute soulfully! In the melisma at 1:54, it feels like one of those notes should be a half-step higher! Anyhoo... Wow it's gotten a lot louder by 2:33. The vocal level feels about right now, whereas up to this point it was clearly too high. I know I have to automate the level, and even the compressor threshold, to rise and fall with the rest of the arrangement. Really beautiful singing at the climax! I'll definitely share this! Right now in fact...
This is really nice. Smart, too, because there are so many radio stations flipping to 24/7 Christmas music formats. People love new recordings of traditional Christmas songs providing they have the same vibe as the treasured older versions. You're probably a bit late to see much uptake for 2018, but a well-done Christmas song like this has the potential to become evergreen, which means money every year. The trick is to get this version on the radar of people who choose songs for Christmas radio stations. Start with seeding this to a variety of streaming playlists where it has a chance of getting discovered. Are you signed? Do you have a radio plugger? If so, get them to push this to those all-Christmas stations. Second, look around for labels that offer compilations of Christmas music. That can be a good way of getting the distribution you need.
Beautiful version of this classic. I'd suggest perhaps making a music video or some sort of visual to go with the track. You should also consider releasing an EP or album for digital services as right now you're getting a good amount of listeners on Spotify but everything is a single so it makes it harder for the listener to engage with your music. You should also look into hiring a publicist to help work your music to press and lastly include a short bio and links to hear more of your music in the description. Best of luck!
Man, Desmond can get up there! You two sound great together. I wish he were a little louder in some of the harmonies, especially in the coda. I've spent the past few hours reviewing different sampled pianos, and this isn't one of the better ones, but once it's in the mix it sounds great, especially with the brushes from the drums to conceal the details. I wonder if Desmond's spoken intro for you could be a dealbreaker in some contexts. It's certainly cringeworthy from my kids perspective - I can say that for sure! I thought it was kind of cute, but maybe a bit too out front. Anyway, despite my distaste for Christmas music in general, you've done a wonderful job here, and I'm happy to share it! Brian.
I love the harmonies halfway through this track! The track itself is in more of an MOR style than our own personal style -- especially Desmond’s solo vocals in the beginning, so it is not really a fit for us. It is very simply produced and arranged, which makes for a sweet sound -- but my ears somehow want more production behind it. Thanks for sending! Best in the new year for you and getting your music heard!
Refreshing take on the classic song, while still holding onto elements that made this such a hit. Great use of textures and pacing. Not rushed or overdone. I know you're working on a few different styles of music and crossover elements. This is very well done. Where are you collecting all your new recordings together in one place?
Lovely voice, lovely cover. I picture an old smokey lounge with a jazz trio in a tv show. This is something that should be submitted to publishing and licensing companies that work with TV and film. Most independent licensing outlets will take unsolicited material, so make it stand out if it's a group that you think would fit with your song choices. Do your research, put together a proper EPK, and send a follow up note. It always helps to send some merchandise afterwards to remind them of your electronic submission. The important thing is to get noticed, so be noticeable. And keep gigging because you have clearly got that onstage vibe, so build your fanbase organically and create a loyal following. That is the only way to make it these days.
Thanks for the submission Natalie. I think it's a great take on a classic standard. Great voice, great instrumentation etc. Only thing is that to be honest, on the publishing side for me since it's already a classic and on the We Are: The Guard side of things, we're looking more for beat driven indie and indie pop...but I did really enjoy this. I do have one really valuable tip. You should look up who publishes this song and make sure their synch department has it so they can pitch for synchs. New versions like this are always valuable and you might get some traction there. Hope that's helpful!
I think you are very talented. No doubt about that. Your music sits is unique space. This is a good thing. But also challenging. You don't easily slot into the normal promotional channels. You need to find either a good label or distributor who can start to work you onto the right mood/theme playlists. That way you get around any genre issues.
Another great song from the always-enchanting Natalie Bancroft. She puts a new twist on one of my favorite songs. Great work and thanks for sharing! Will feature this one on my upcoming Global Chill playlist.