- Songwriter, musician, time traveler. https://t.co/DJMB6FRiVwhttps://t.co/6LE060msqy
- diy music promotion, social media, marketing, songwriting, music performance
- soul, alternative, indie, singer/songwriter, music, film, books, travelling, comic books
- Seattle, WA
Arpeggios for days! The song develops in a cool way - I like the way the vocal effects change over the course of the song. There's a lot going on here...a bit too much in fact. There's rock and electronic stuff going on but the vocals almost have a country twang to them? The drums sound vibrant and the cymbals trashy but I feel like a more minimal sound might go better with everything else that's happening. I would work on focusing what you have here into a sound that's your own. Maybe start with the instrumentation, find your voice in that regard and then see what kind of vocals fit there. I love the dark and vibey direction you're going in, but I think it's a bit maximalist here. Sometimes less is more! Thanks for sharing and best of luck! I look forward to hearing what comes next.
Really enjoyable stuff here, nice work! I love your description of the music and must say it's right on the nose for this very original tune. I would suggest including in your Fluence submissions, a short bio about yourself as a musician (not just a description of the track) plus relevant links to hear more music and to your social profiles. I checked out your Soundcloud and it seems your profile is a little disjointed with different artwork for lots of different tracks, some songs including track #'s and metadata, etc. It's definitely worth cleaning up a bit and trying to hone in on your visual aesthetic if you're trying to reach a wider audience. You have so many songs so it can be a bit overwhelming for a newfound fan to know where to start. I would suggest focusing on your best songs and really presenting them in the best way possible. Perhaps make a music video or visual accompaniment for a song like this to try and reach a wider audience. Best of luck!
Volume is way up. Here goes! That arpeggio has a space exploration vibe to me. But yeah, I hear the soul/blues too. NIN? Not so much, to me anyway. I grew up on Pretty Hate Machine so maybe I'm just setting the bar too high. The vocals can be a bit piercing at times, though on the plus side, I can understand all the lyrics. Still, it's better to copy/paste them in your submission (next time!). It's got a cool dark vibe, but not a whole lot of movement. After the second chorus, my ears are really hoping for some different chord changes. Which they get to some degree with the piano, for a brief moment and we're back to another verse. So yeah, it's a great track to sort of melt into, but there's no hook. Definitely an album track, no offense! I'd prefer the vocals a bit warmer and deeper into the mix, as they poke out a bit now. Other than that, everything sounds solid to me from a production standpoint. As much as I listened for "the bike" I must have missed it. Very cool concept though. I'd be happy to share this on Twitter! I'm going to call it "electronic rock" unless you have strong objections. Thanks for sharing it with me!
Great groove, superb production values. Like the easy relaxed phrasing and confident vocal delivery. This would work really nicely over the end credits of a movie or TV show (as a theme). The only concern I've got is the synth strings which feel a bit less polished than the rest of the track. Might consider bringing in a live string player to layer a few parts to add more genuine depth and texture. Definitely worth submitting to a company like Taxi.com or reaching out to music supervisors in Los Angeles who are looking for this kind of vibey song. Bravo David!
Superb that's what I call a track and if you do not get signed on the back of this track alone there is no justice, The drums are brilliant the voice is amazing and gets deep in to the heart it's really great and the best track I've listened to in three months ,really it's got everything and more ,give this guy a label and watch him get to number 1 around the world ,it's so good I want it now.....
Interesting sound--certainly not what I was expecting. Dark soul? Some thoughts: (1) The song might benefit from live drums. Programmed rhythms are a little too...perfect for my tastes when it comes to songs with soul. I'd love to hear the track with someone who played just a millisecond behind the beat. (Apologies if these drums AREN'T programmed. If that's a real person, their timing is insane!) (2) The track might benefit from an outside producer, someone who could hear the arrangement differently. At the moment it sounds a little too synthesized to be radio-ready for alt-rock. The bones are of the song are excellent, but sometimes you need someone who can take it to the next level. (Note: This isn't a criticism of the song's quality. I'm just musing about what someone else might bring to the party.) (3) At 5:11, it's a bit long for radio. Could there be an edit?
This is what I think. Your voice, delivery, lyrics and vocal production are fantastic. Also I like the synth arpeggios and elements of the instrumentation. I think the production needs to be bigger. I think this could be stripped back to allow the vocals to be more central. Or it could be beefed up in the instrumentation to match the vocals. Either way, it's all about the vocals for me, and you should build on that. You have experience and pain and maturity in your voice that can't be faked, and this is the unique thing that you have to offer. Wishing you every success, keep in touch if you're playing in NY.
Another fantastic one, love the soul to his voice. I can't wait to introduce you to my partner label. I think they are going to love you a lot. Your piano playing always mesmerizes me. I like the energy of this one a lot. Once again another very well composed, produced song with so much depth to it. We need more artists like you out there. This one would be fantastic for TV, have you tried some of the licensing companies out there? I really feel strongly that a lot of your songs would do well. I have several friends in mind that handle things like this I can refer you to.
I LOVE the piano in this as well as the vocals. Fantastic song. I agree in the channeling here. For sure many avenues that can be taken with this song. Please do utilize my email I sent on twitter and lets connect with my resources and see what we can come up with for you guys. I have a few friends in the business that are going to LOVE you.
Oh my, I love the thunder like rumble of the drums in this one, and once again just a fantastic composition. Where do you get these amazing voices and where are you guys recording at and with who? I am completely blown away. The kind of music you are sending over is so much of what is missing a LOT of times these days in musical compositions. It keeps you there because there is so much depth to it. I loved this one. Her voice has this yearning like quality to it with soul, and of course your playing is masterful as always. Thank you for what you do!
I don't think that you could ever send me anything that I would not love. This one was mesmerizing, I loved the flow of the piano and such a very deep and enchanting song. I hope you are going for some great licensing for these amazing compositions, because a LOT of them I know would get some good attention. Fantastic work!
David, I was excited to see a composition come in from you and it most certainly did not let me down. I absolutely loved the soaring string accompaniment towards the third quarter or so, some of my favorite of instruments, outside of the piano of course, and your playing as always was tremendous. The young lady's depth of her voice in the song left me breathless, and she's very unique as is the song. A fantastic score of music, but I didn't expect you to let me down at all. Thank you for your amazing talents, as well as the other artists you obviously have the blessings of surrounding yourself with.
Strong intro! There was a moment in Maddy's vocals very early in this track that was very quirky, maybe of an Alanis Morissette ilk, strong delivery and a sense of innocence but loads of attitude. Its a solid track, lyrics are simple enough the listener only needs one listen to grasp and sing along. I cannot fault any of the musicianship here, the instruments are on point, strings in the background are superb, my only gripe is that the 'All You Ever Do Is Rain' words kept going longer than necessary, maybe used too many times for me, the last go around probably wasn't required, I think I counted it going round about 10-12 times in the last minute of the track. I'd have liked to have heard the vocalist give it back and maybe break it down for the listener in spoken word, 'I aint takin' this no mo', you wronged me for the last time, I don't need you in my life coz.. All You Ever....'.you get the gist. Anyway you guys are the pros, you probably already considered that and it didn't work but definitely worth sharing and a spin on our next radio show. Thanks for sharing! C
This isn't far from the current vibe of a lot of stuff that's played on alt-rock and AAA radio these days, but I'm not sure if the arrangement is quite right. The performances are solid but there's something missing from the mix to my ears. More soft synths? Bring the guitar up in the mix? There's potential here, but it needs...something. It almost has too much of a 50s/60s girl group vibe in places without being soulful enough in a contemporary way. Does that make sense?
The Gary Jules comparison is apt. Coldplay would also work (I hope that's not an insult! It shouldn't be; they've sold 80 million records). So the music is solid. The question is "Now what?" What's your target audience? Is radio on your radio? If so, what formats? Should you hire a radio plugger? I'd also look into licensing possibilities. This kind of material lends itself well to placement in TV shows and (dare I say) commercials. Time to make friends with music supervisors. If you have any other questions for me--maybe something more specific--email me at email@example.com.
This is actually a very pretty song. I really love the piano and how it subtley drives the song. It's not overpowering but definitely has the lead. I'm not sure so much about the sax part though. It kind of comes out of nowhere but it is something I can look past because the overall production value and composition of the song are spot on. Keep up the great work!
Hey David, Thanks for sending this through to me Well musically its a nice track, well written and produced. Its very mainstream, and fits into the pop genre fairly well. I can see this fits into quite a political frame in regards of genre, which isn't my speciality However, I can see a broad range of usages for this track, if it were to be licensed or published All in all a good track, albeit with a political message Keep up the good work All the best Chris
It's been awhile since I've heard something like this: Supertramp-ish, Cat Stevens-ish. I'm not sure where it would fit in today's radio landscape--formats are so regimented these days--so maybe this calls for a grassroots promotion. What about creating a video using YouTube footage that highlights the tragedies mentioned in the lyrics? I strongly believe that the song needs a visual component to drive the message home. That's the kind of thing that will win you evangelists who feel as strongly about these issues as you do .
Overall I enjoyed this song. There's an honest yearning in the vocals and lyrics which I find attractive. I feel the song could do with more instrumentation, the piano alone doesn't really fill it out enough for me. I would dig some rhythm and guitar to drive it forward a bit more strongly. As it is, the song gets a bit boring due to the lack of variation. So yes, overall enjoyable, but I'd like to hear it tightened up and filled out a bit.
Hi David - thank you for your submission today. What a fab gospel-inspired opening - reviewing this straight after your 'Into The Blue', it's great to hear a variety in your compositions and performance style. Here your vocal is deeper, bluesy, and the sense of urgency in the track is a real foot-tapping experience. One of the key things for me about vocal delivery is that I want to believe what the singer is singing, and that's very clear here. Also - great piano/drums especially in the interlude around 2 mins in, before the female vocal chant hits back in - I bet this is a great live track with female backing dancing away. Your own strong and clear vocal is a real treat, there's a real sense of artistry here with your well-considered accompaniment and crooning guitar solos.. Right now I feel Dire Straits and a huge wave of Northern Soul - a true talent, David. Thank you for brightening my day with your music :)
While I get the Motown/R&B inspiration, I hear way more 70s rock a la Jackson Browne / Bob Seger here. Would definitely direct your marketing this towards that Adult Contemporary crowd as well, especially looking at the older Aquarian-age generation of folks. Production wise I get that something feels like it's lacking, but the track is pretty solid where it stands. Although, I might make that slide guitar louder in the mix.
There is so much here to love and appreciate. Excellent lyricism, amazing composition, and overall flow. Your nod to Motown and 60s R&B is spot on. Great work on the melodic and tempo shifts to build on the emotional engagement of the song. While you may be looking for this to get covered by a big-named pop artist, you can definitely get some solid radio airplay and online feature with what you have here already. I'm interested in hearing your other songs and featuring you on my radio show just from hearing this song. One suggested alteration to make is to fade out the end a little earlier. The song starts to drag a little around 4:25. Other than that great work!
You definitely have the late 60s/early 70s R&B feel down. I'm wondering if a old-school bassline up in the mix would enhance that feel. The bridge seems to be need more oomph from an arrangement point of view. Strings? Some kind of Wall of Sound effects?
Thanks for reaching out and sending us this track. I think you pulled off that Motown vibe definitely. Really like the backing vocals from the ladies and your vocal has quite a relaxed vibe, which kinda contrasts against the track but I really like that. Have you heard of an English artist called Tom Misch? he has that same kind of lazy vocal style I call it. But then I also really like when you hit those high notes! I get what you are saying about doing more production wise. Those drums are screaming out to have way, way more punch to them and really drive the track more. You took it to a kinda chilled place for the middle 8, but personally I think you should have taken it higher and really had some fun, get your funk on. I think also you could have done a bit more with those backing vocals and switched them up a bit more. If you reference Martha Reeves & The Vandellas "Dancing in the Streets" those backing vocalists are doing a bit more work and giving that track more hooks, which I think is slightly missing from yours. Like I feel the keys could have had more of a hook, guitar as well even. That era for me produced tracks that just had soo many hooks to them. Even if you look at Mark Ronson Uptown Funk, again that track has soo many hooks to it, which is probably why it was soo popular. But yeah a Sax would have been nice on it too. Anyways it'a a nice track, will give it a spin on our radio show - see what Chris makes of it. Thanks again for sharing! Kerry
Sweet and soulful - I actually feel that this could be one of your mediocre efforts, David (although it's rather excellent, I just wanted more punch). The lyrics are great, and I love those soothing female backing nods. For me, the surprise of the track is when it develops to the instrumental with the gentle drumming underpinning the piano part. It's really lovely and showcases your strong vocal especially as it drives towards the end before those heavenly echoes come in, suggesting the afterlife of the relationship you're singing about. Gorgeous. Well done!
Hi David - thanks for your submission. I love the opening to this, - and the gently soothing vocal that follows shortly after. There's a reassuring optimism to 'Into The Blue', it's the perfect Sunday afternoon track and has me feeling warm. When the chorus hits at 1:20 the track's development is really welcome and I love the subtle advance of the song as guitars feature alongside the vocal highs - with it being quite a long piece there's plenty of scope for variety. My only criticism really is that it's quite repetitive in parts - but that's not fair. The pace is brilliant, there's a lot of thought behind every aspect of this - even the production is great. i couldn't picked a better time to review this soaring gem, and it's put a lovely big fuzzy smile on my face. I wish you the best of luck with this! Kim x
I clicked "Like It" because I really do! I'm not sure why it might be described as "not radio friendly" - perhaps for the unadventurous stations, but I'm sure there would be plenty of college / community stations happy to play it. Maybe it's the rough edges (or what might be considered such) in the vocals and performance that might be a sticking point, but a) I think they may be intentional, and b) they help to give the song a certain individuality too. A very melodic song, with generally a classic sound and structure. It's well produced but not over produced, which I think is important. The vocals are appropriately emotional and the arrangement comes across as well considered. I can see why the various influences are mentioned, with elements of various 60s to 90s bands (to speak very generally) but somehow it all works well together, and the song becomes one that's enjoyable the first time, and easily lends itself to further listens. What's it about? It's about five minutes. You're welcome.
I really like the story behind the song, it's very romantic and sweet. My feeling is that this is a personal song for you two. Lyrically, it doesn't say anything special to me personally, which makes sense, based on it being your song for you two. I enjoy hearing the two vocals, you singing to one another. Like it when you're harmonising too. As you said, it's a rough demo in need of filling out with other instrumentation, etc. Ah, there's some nice cello, I like that! Feel that could be there even sooner in the song, maybe growing into its fullness, but present from sooner in the song!
Pretty and beautiful song. And yes, I could hear Blake and Miranda or Blake and Carrie or other duos singing it easily. It's not a fit for my radio shows though in its present form. I'd shop the songwriting as you've suggested. Congratulations on being madly in love! ;) Thanks for your submission and good luck with your music!
Beautiful, beautiful song. I love the infusion of the cello towards the end (an instrument that does not get enough love). As a label owner, if one of my artists came to me with this song, I would instantly send them over to a producer we love and use Larry Gann. He would make this song grow very big. You are correct in your statement " Those in love will get it". I get it! Thanks you guys!
David, you stopped me in my tracks, gave me cold chills and put tears into my eyes. It made me stop and think about so much that has happened in the world. A beautiful song that should be viral. Wow, I'm so stunned I don't even know what to say. You have captured the feelings of many in an amazing song. Your voice as well is incredible. Wow, just wow.
Country Fried ROCK
R. Michael Thomas